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ma JAA iVIiF_LR I _F j — AS. 


MADISON SQUARE SOUTH 
NEW YORK 


D RECENTLY ADDED 


{TIQUARIAN OF PARIS AND NEW YORK. 


' TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


EOS REGIS POO ET 


— 


nye 


~aPS 


No. 


667 
668 
669 
670 
671 
672 
673 
674 
675 
676 
677 
678 
679 
680 
681 
682 
$83 
684 
685 
686 
687 A.& Be 
688 
689 
690 
691 Ae& Be 
692 A.& B. 
693 
694 Ae& Be 
695 
696 
697 
698 
699 
f700 
701 
702 
703 
704 
705 
706 
707 


ist 


ws 242-0 


French School 1853 contery 


J 18th 
Italian School 17th " 
P.Wouverman. 

Flemish School 15th Century 
Catalonian " 16th " 
Portuguese " 
Spanish De AN a 
Catalonian ® 15th » 
Garcia Ramos 
Baragso 
J.Rupalley 
Dutch School 17th Century 
Claude Joseph Vernet 

" 


French School 18th Century 
Nicholas Poussin 
Flemish School 16th Century 
Cervera 
French School 18th Century 
" " 
School of Antonio Moro 
Flemish School, 17th Century 
Dutch School, 17th Century 
Umbrian " 16th Century 
Francisco Guardi 
John Memling 
Alexander F.Desportes 
Francisco Goya Lucientes 
A andl School, 16th Century 
Ll 15th tJ 
ree of Rembrandt 
Italien School 15th Century 
Keufferman 
" 


School of Lancret 


Buyer. 
K.S.Baliazian, 
" 


Ruth Tischner 

N.E.Landau 

Miss L.Wetherell 
" 


0.Bernet ,agt. 
L.Orselli 
§.F. Rothschild 
A.Jongers. 
L.Orselli 
B.Feffercorn 
P.Emory 
Dr. Buffardi 
L.Orselli 

" 


E.Feffercorn 
Miss L.Wetherell 
T. Howard 
P.Van Veen 
E.Feffercorn 

" 


T. Howard 
L-Orselli 
J.C.Tomlinson,Jr. 
E.Yeffercorn 
L.Orselli 
Dr. Buffardi 
T. Howard 
P.Van Vesn 
Mrs.de Bernard 
L.Orselli 
P.Van Veen 
Miss L.Wetherell, 
A. Jongers 
P.VYan Veen 

" 


(Two ) 


Francesco Zurbaran $ 190, 
Flemish School, 16th Henbury: 550. 
Adrian Isenbrandt 5,100. 
El Greco 1,350. 
Italian School, 14h contiry 850. 
Barasso 475. 
School of Boucher 500. 
School of Jan Van Eyck 250. 


Buy. er 
Kleinberger Gall. 
Mrs.Perey Straus 
P.Van Veen 
Mr. Heniot 
P.Van Veen 
A. Jongers, 

Mrs. F.KVanderbilt. 
A. Jongers. 


* StidvebasVi.t et 
seTOQdoL A 


“atruntaed dO fe adie alate. 


tbaewdnen! no kvba 
: 99885 LF. 


Pues sor .Loodee neifssI 


Oees ts: fe 
tetorom® to. fo orto8 
XOyE asY ast to Loodoe 


EVENING SESSION 


WEDNESDAY, DECEMBER 10, 1919 
AT THE AMERICAN ART GALLERIES 
BEGINNING AT 8:30 O’CLOCK 


CATALOGUE NOS. 667 TO 715 


FRENCH SCHOOL 


16TH CENTURY 


667—THE ANNUNCIATION ; see fe | - 
s—- , (Illuminated Gouache on Parchment) 
% em. epi Height, 7% inches; width, 5 inches. 


eS The Virgin, wearing a golden embroidered blue mantle, seated 
a on a decorated throne at right, the announcing angel at left car- 
rying the dove; above amid the celestial choir in the clouds is 
the Holy Father in Majesty. 


FRENCH SCHOOL 


16TH CENTURY 


4 668—_THE VIRGIN MEETING ST. ANNE cag aes eee LA 


. ) (Illuminated Gouache on Parchment) 

4 56 v¢ Height, 7% inches; width, 5 inches. 

= The Holy Virgin in rich blue hooded mantle meets St. Anne in 
E the foreground of a hilly landscape crested with a turretted and 
ZZ walled castle. She is attended by St. Joseph and two angels, St. 
: s Anne by two young women in rich medieval costume. 


tet hae 


Third Evening 


FRENCH SCHOOL 


16TH CENTURY fy y, ' 
Ate ra (2D 0M 43r ar 
669—THE ANNUNCIATION TO THE SHEPHERDS ( 


(Illuminated Gouache on Parchment) 
Height, 7% inches; width, 5 inches. 


-_ wl 


4.5 — Shepherds andshepherdessesare grouped with their flocks of sheep 

and dogs on the greensward and a youth at left foreground bends 
down to drink at a gushing spring; at right distance are habita- 
tions with surrounding wattled folds.and further sheep; at cen- 
ter and left a castle and hilly landscape. The company salute the 
announcing angel in the sky who bears a ribbon inscribed: 
“Gloria in Excelcis.” 


FRENCH SCHOOL 


16TH CENTURY RS: . c ee 
eae eee ADL 


670—THE PRESENTATION OF THE VIRGIN IN THE TEMPLI 
(Illuminated Gouache on Parchment) LU 
Height, 7% inches; width, 5 inches. 


~ + The Blue Robed Virgin sits on a daised gilded throne in a 
Aes —columned annd domed temple. The rayed. dove, as the Holy i 
Spirit, descending upon her. Grouped round are aged doctors 

and other personages. 


FRENCH SCHOOL 
16TH CENTURY 


Wy ae, 
671—THE FLIGHT INTO EGYPT J: ae ere oe 


Pee | 
(Illuminated Gouache on Parchment) . 
Height, 75% inches; width, 5 inches. U i 


~ 2 The Blue Robed Virgin, carrying the Infant Saviour, rides on an 
ass, which St. Joseph leads at left, various personages appear 
just beyond and through two groups of trees a medieval chateau 
appears. <A small bull is partially seen at right front gazing at 
a broken columned idol. 


Third Evening 


FRENCH SCHOOL 
16TH CENTURY 


672—_THE ROAD TO CALVARY 2 L 
(Illuminated Gouache on Parchment) = 
Height, 7% inches; width, 5 inches. 


eee The Saviour with gyved hands walks in the centre foreground of 
a hilly landscape disclosing Jerusalem in the distance. Judas 
at right carrying his money-bag salutes our Lord; behind is a 
crowd of mocking Roman soldiery. 


FRENCH SCHOOL 
18tH CENTURY 


673—“HEAD OF NORMAN PEASANT GIRL” 
(Pastel ) oe) , Pe, 7 
Height, 12% inches; width, 9 inches. (~~ TOU Lett 1a 
Ss 4 ¢¢ Profile to right, wearing a high sloping lawn, lace trimmed head- 
/ ——dress and orange shawl. 


ITALIAN SCHOOL 
17TH CENTURY. 


674—“A BUSY SEAPORT” 4 L . VA 
(Gouache) fu VY Ag 
Height, 4% inches; length, 6 inches. 


y . LV wd A 
ee ane 


) a In the foreground many persons are engaged in the activities of 
—embarkation, much shipping is near the shore; beyond across the 
bay a castle, other buildings and a range of blue hills. 


Third Evening 


PHILIP WOUVERMAN 
DutcH: 1619—1668 


675—A BLACK AND WHITE MARE) AR. va Wye Eye ; . 


(On oak panel) 
ies Height, 4% inches; length, 5 inches. 


-_ 
A heavy Flemish mare standing in profile, grazing; a gleam of 
golden sunlight strikes a patch of white across its back, relieving 
the surrounding gloom. 


FLEMISH SCHOOL 
15TH CENTURY 


676—ST. BRUNO yy 
a ee 


(On wood panel) 
- yb Height, 103%, inches; width, T% inches. 


The tall brown habited figure of the Saint stands on a walled 
and tiled terrace, holding a long staff and contemplating a cruci- 
fix which he clasps to his breast. Beyond a cathedral city is seen 
at the foot of ragged rocky hills. 


CATALONIAN SCHOOL 
SPANISH OF THE 16TH CENTURY 


677—_ST. CATHERINE OF SIENNA 
(On wooden ms te enrrnel Doct 


i cu Height, 161%, inches; width, 10% inches. 
oO : : 

The Saint is seated before a gilded illuminated wall on a raised 
bench, she wears a yellow-red robe with an olive green drapery 
spread over her lap on which is missal and symbols. She car- 
ries a palm branch in her left hand. 


Third Evening 


PORTUGUESE SCHOOL 
EMPIRE PERIOD 


sy 


y f F Lr ee A 


678—PORTRAIT OF THE DUCHESS X a re. 
(Canvas) 
nn a 2 Height, 16 inches; width, 1314 inches. 
Vb 


Half length facing front, head slightly to right, wearing curly 
hair dressed high at back, blue and white silk dress with red 
and blue sash. Oval in oblong frame. 


SPANISH SCHOOL 
17TH CENTURY 


679—“MADONNA AND CHILD” Sek aieig 2 ? 
wa a - 2 aor aor {a 
(Canvas) } Ge VY ctickt 
-/ yt Height, 25 inches; width, 23% inches. 
— Y 


~— The Holy Mother, seated in ample robes of dull grey, yellow and 
crimson, holds the Holy Child to her breast; St. Joseph in 
shadow at right. 


CATALONIAN SCHOOL 
SPANISH OF THE 15TH CENTURY. 


680—CHRIST AND THE EMBLEMS OF PASSION 
(Canvas mounted on arched wued panel) : \ es 
Total Height, 26% inches; width, 2014 inéfes. AVAL os ie 


/ AT y ¢ The Suffering Saviour seen at half length, rising from the to nb, 
al wounded with cruel thorns, His hands and side pierced; a gilded 
nimbus about His head, a greenish background exhibits the vari- 

ous implements of the Passion, and at left the head of Judas, at 

right arm of St. Peter supporting a rooster. Crowned with a 
contemporary gilded and illuminated tracery arch and cornice. 


Third Evening 


GARCIA RAMOS 
SPANISH: 17TH CENTURY 


681—“FLOWERS AND FRUIT” Y [A rie ie 
(Canvas) Ly TALLIES 


Height, 32 inches; width, 26 inches. 


/ 


/ 4 *°© Jn an arched niche is an elaborately scupltured vase, supporting 
a large bouquet of varicolored flowers and a bunch of grapes; at 
its foot a bird’s nest with eggs and two dead birds. 


BARASSO 
CATALONIAN: 15TH CENTURY 


682—“ST. ANDREW” ex ies 
(On wooden panelWO Werke ra 
Height, 35 inches; width, 26% inches. Vi} 


i 4 The Saint spread on his traditional cross nude save a loin cloth, 

= a golden. nimbus round his head, is being tortured by two brutal 

executioners. In the background is a group of noble personages 
standing before a prison gateway. 


J. RUPALLEY 
FRENCH: 18TH CENTURY 


683—PORTRAIT OF DOCTEUR SILVESTRE > na, ahr 
(Canvas) \“ree OD nd ; ye 


Height, 30 inches; width, 25% inches. 


, v Half length, turned to left writing at a small table, head facing 

——~spectator, wearing gray wig, black coat with lace jabot and 
ruffles at wrists. Inscribed on back of canvas “Peint a Bayeux 
p.f.am. J. Rupalley, en 1778 Docteur medicin né a Bayeux en 
1729.” 


=) - 
a ee 
VY 


Third Evening 


\5 DUTCH SCHOOL 
17TH CENTURY. 


/) > : ' 
684—STILL LIFE ae Or ee | 
NY, \ AH / OA 
(Canvas ) / \ 
ee V 
nk Aes Height, 29 inches; width, 24 inches. U 


A table is elaborately spread with a vase of flowers, a covered 
silver urn, a large gold watch, an ornate vase, together with an 
oval miniature and a Rembrandt print in black and white placed 
on a crimson drapery. 


4 


CLAUDE JOSEPH VERNET 
FRENCH: 1714-1789 
ff 


685—“LE GRAND NAUFRAGE” Zorg rea 
oA QC 


(Canvas ) 
Height, 22 inches; length, 31% inches. 


/ Nop The foreground occupied by spray dashed, jagged rocks on which 

Oo / ——groups of half nude mariners and their passengers are struggling 
to rescue their companions from a vessel driven by the black 
storm on the coast; at left cliffs crested with an ancient castle, 
in the offing further vessels. Overhead a lurid sky, panoplied 
with dense wind-driven clouds. Engraving of same by G. 8. 
de Flumet. 
From the Collection Abadie, Bordeaux, France. 


/ 


CLAUDE JOSEPH VERNET 
FrencH: 1714-1789 


686—“LA GRANDE TEMPETH” Mm NUN 2 LZ, 
(Canvas) , 
oe Height, 22 inches; Length, 31% inches. 
OV 


A similar composition to preceding. Engraving of same by 
G. S. de Flumet. 
From the Collection Abadie, Bordeaux, France. 


Third Evening 


FRENCH SCHOOL 
18TH CENTURY. 


(Se. A] VY 
687— (Two) “PASTORALES” ees a 
(Canvas) 


~ ye Height, 38 inches; width, 33 inches. 


Zz Pa) In a wooded glade a court beauty in Louis XVI costume is 
consulting her mirror, a beau discovers her from behind a tree. 


(B) Companion to preceding. Gallant makes his devoirs to his 
lady. 


NICHOLAS POUSSIN 
FRENCH: 1594-1665 


688—“UNE PASTORALE” 


A es, | af i 
(Canvaa ae se Wethiiegee 


Height, 30 inches; length, 36 inches. 


vA / ( ¢* _A youthful shepherd wearing a plumed red cap and dark brown 
drapery thrown over his shoulder and loins rests against a tree 


on the left of a romantic landscape, his flock of sheep and goats : 
are round him and a large dun bull is partially seen at right. 


FLEMISH SCHOOL 


167TH CENTURY 
689—" DOLOROSA”’ 


ln 
(On panel) de 1, 
Height, 34 inches; width, 26 inches. ae Taeaw ae 4 
y 
)  Phree-quarter length, facing toward left. The Holy Mother, bent 
with grief and sorrow, habited in a close fitting head dress of 


fine linen and a dull drapery, a red dress with ample mantle of 
soft blue over her shoulders. 


ee aes ‘Dipe aehanic karate 


Third Evening 


CERVERA 
SPANISH: 17TH CENTURY 
‘aaa t 1 
690—Four Painti Le VY oce 
our Paintings \y Gre Y Lok 
SCENES FROM CERVANTES’ NOVEL, DON QUIXOTE 
= yo (Canvas) 
} (/ Jett Height, 31 inches; width, 25 inches. 


The panels simulate old wooden closet doors, each as with two en- 
gravings tacked to the panels, at the side near the foot various 
implements, bottles, scissors and addressed envelopes. The scenes 
embrace “The Knight on his Journeys Sancho Panza,” variously 
in landscapes and two seascapes. Painted in monochrome with 
the doors and implements in dull colors. 


FRENCH SCHOOL 
18tH CENTURY 
691—Two Paintings ont 


a al 


CHINESE DOMESTIC PLEASURES (Qi,.uK => bem, we 

mg ; (Canvas) /i/ 
/ j ae Height, 17% inches; length, 23 inches. VV 

(A) Several Chinese dignitaries are seated on a palace veranda, 

absorbed in chess, approaching them from the wooded landscape 

is a group of ladies and children. 

(ns) In a highly decorated interior two persons are playing a 

game of chance, two children frolicking nearby and at a draped 

doorway a young Chinese enters smoking a long opium pipe. 


FRENCH SCHOOL 
18tH CENTURY 


692—“CHINESE PALACE INTERIORS” (Two) 
(Canvas ) 


an Height, 1714 inches; length, 23 inches. 


// ¥* (a) Group of Chinese ladies of the Court, two seated on a lounge 
‘Sy and one standing, in a richly decorated apartment off the piazza 
of a country place. 
(s) A somewhat similar group, one reading to her companions. 


Third Evening 


SCHOOL OF ANTONIO MORO 
DutTcH OF THE 16TH pare 


693PORTRAIT OF DONNA ISABEL BORB eat 
(Canvas) 
Height, 23 inches; width, 18% inches. 


Cree Bunt length, facing slightly to right, wearing high beribboned 
head dress, large Vandyke reticule, lace ruff and gold striped 
embroidered grey silk dress, enriched with double jewelled 
chain and large pendant. Inscribed at top of canvas: D. Isabel 
Borbon, R. Espano. 


FLEMISH SCHOOL 
17tH CENTURY 


694 “STILL LIFE.” (Two) | oe / 
(Canvas) 6 
Height 221% inches; width, 18% inches. 


A 


va 4) +» (A) Spread over a blue velvet draped table are bunches of grapes 
and pears, a music score and a dish of partly pared lemons, melon 

and figs. 

(sp) A basket of flowers and red cherries with celery and peaches 

in the foreground. 


DUTCH SCHOOL. 
17tH CENTURY 


695—FOUR DECORATIVE PAINTINGS we vs 
(Canvas) 


73 / ie Height, 141% inches; length, 21% im 
[—— 


Variously exhibiting groups of Dutch boors: “Playing Cards in 
an Old Kitchen;” “A Méle in which Three Women Interfere and 
Are Spectators ;” “The Return from the Méle;” “Playing Cards in 
Landscape with Attendant Spectators and Horsemen.” 


Third Evening 


UMBRIAN SCHOOL 
ITALIAN OF THE 16TH CENTURY 


. é 
pope J 
LON he a eg Se fertrnn 


Vv v 


696—“ELEVATION OF THE HOST” 
(On wood panel) 


7 nee y? Height, 1814 inches; width, 16 inches. 
ee 


A cardinal, wearing crimson dalmatic and golden and yellow 
cope, kneels before an altar performing his office, two attendants 
in yellow hold his cope, at left is an acolyte and in the rear many 
kneeling bishops and other clerics are seen. The scene transpires 
in a vaulted and columned private chapel. On the white linen 
covered altar are spread the sacred vessels and at rear is a cruci- 
fix with our Lord seated at its base. 


FRANCISCO GUARDI 
ITALIAN: 1712-1793 


697—“ROMAN RUINS” ' 
(Canvas) L /) ed ee 


CY coal Height, 10% inches; width, 8 inches. Nn 


G 2 Tn the foreground a lake with several peasants, fishing before 
a columned temple, supporting a statue of Aphrodite in its 
frontal niche; at left a domed church; at right a flight of steps 
with two men in conversation on its landing. 


LJ 
JOHN MEMLING 
FLEMISH: 1440-1449 
, ~~ 
698 LANDSCAPE AND FIGURES cae [sf br 
(On wooden panel) ses ] / 
—y 6 Height, 634 inches; width, 5% inches. oo 


——— 2 
On a road winding from right to a wooden church in center, 


three packmen, two curiously mounted on giraffes, advance to a 
group of personages standing on the sloping bank of a duck 
pond at left. 


~ 
ao 4 
Se ee 


Third Evening 


ALEXANDER FRANCOIS DESPORTES 
FRENCH: 1661-1748 


: os 
699—“DEER HUNTING” | Sheeran 


(Canvas) 
so Bee : ‘Height, 1214 inches; length, 1614 inches. 


Three variously colored hounds are up with an almost stricken a 
deer; rough foreground with pools of water and an old tree at ~ 
left, with woods beyond and hills in right distance. 


[ Tustrated | 


FRANCISCO GOYA LUCIENTES 


SPANISH: 1746-1828 NG 


- 


700—PORTRAIT OF QUEEN MARIA pies OF SPAIN 


(Ivory miniature) 
Height, 83 inches; width, 6 inches. 


Cr oo ¢£ The mannish Queen stands on a balcony under a tree, wearing 
a rose in her black hair, a lace mantilla and a black velvet robe. 


FLEMISH SCHOOL 


16TH CENTURY 


701I—_LA JOUEUSE DE MADOLINE ~ i 
} SA ; ‘: o° 
(On wooden panel) y ym: BRAS NK 


—y + Height, 17% inches; width, 121% inches. 
See 
lo ~/ 


_A buxom young woman seen at three-quarter length, seated at a 
table whereon is a music score and a large golden Renaissance 
pinnacled vase; she wears jewelled medieval robes and hooded 
cap and is assiduously playing her mandolin. Through a lattice 
window at left a city situated on a green hillside is seen. 


‘Sa 


MOUSSA] SIOONVUY YWAINVXATY 
Aq 


CONLINIA YWHAHC,:—669 


Third Evening 


FLEMISH SCHOOL 
15rH CENTURY 


702—VIRGIN AND CHILD sh Creek, 


(On wooden panel) 
Height, 1714 inches; width, 12% inches. 


creat 0 — Holy Mother, of serene, slightly downcast countenance to right, 
seen at half length, wearing a rich embroidered deep crimson 
robe vested with fine linen. Her long wavy hair falling far over 
her shoulders. She clasps the partially white robed Infant to 
her open breast. Gilded illuminated nimbi and chevron and 
scrolled background. 


[ lustrated | 


SCHOOL OF REMBRANDT 


DutcH: 17TH CENTURY. Q. e J | 
GAY Lin. 
703—PORTRAIT OF AN OLD PEASANT WOMAN 
(Canvas) 
WEE. (ewe Height, 171% inches; width, 18% inches. 


Bust length, facing slightly to left, wearing a white kerchief 
over her head, dark brown bodice and a white lawn scarf at her 
throat. 


702—VIRGIN AND CHILD. 


FLEMISH Scuoou: 15TH CENTURY. 


Third Evening 


ITALIAN SCHOOL 
157H OCpnrury. - 


704—“VIRGIN AND CHILD” er. Yy Ze Z 


(On wooden panel) 
Height, 20 inches; width, 14 inches. 
The Holy Virgin seen at three-quarter length facing front with 
contemplative downcast countenance, seated in the foreground of 
romantic rocky landscape. She wears a dull lavender pleated 
vest over a cream linen robe, a veil falling over her closely 
coifed hair; over her left shoulder and across her lap. a rich 
crimson mantle with which she swathes the nude Infant Saviour, 
seated at her right and clasped gently to her side. | 


[ Wustrated ] 


Uae 


ELITE A STA es ERRORS EER RTE A PR SRE SE ee a a OTE - = 
He a se ene + moe — 


ian 


~ mqumatent veneer 


KAUFFERMAN 
GERMAN: Lats 16TH CENTURY 


705—ST. MARY MAGDALENE 


(On wooder panel) a peat 


et Height, 6 inches; length, 81% inches 


The recumbent Saint wearing a swathed and RG! pale blue 
mantle contemplates the crucifixion at the left foreground; with 
one hand she holds open the pages of a missal, a symbolic vase 
of ointment is before her; behind are shadowed brown rocks dis- 
closing at right a steeply rising roadway with personages advanc- 
ing to a conventual building cresting its height; beyond in the 
far distance is the vista of a romantic landscape. 


’ 


i 
i 
i 
i 
A 7 


704I—“VIRGIN AND CHILD” 
PERUGIAN ScHoou: ITALIAN OF THE 15TH CENTURY. 


Third Evening — 


KAUFFERMAN ; 
FLemisn Scuoor: 16TH Century. yooh 
; rx val 
706—THE CRUCIFIXION _ a Ws 
(On wooden panel) 
(¢ Yeek _ Height, 12%. inches; width, 91% inches. 


——— 


The inscribed cross is before a dark lowering sky with the sun 
faintly seen in the upper left. Christ, nude save a loin cloth, 
sways in His agony; the sorrowful Magdalene clasps the foot of 
the cross, before her a skull and cross bones; at left stands the 
Holy Mother robed in dull crimson and green. St. Joseph of — 
Arimathea stands at right. cay aa 
From the Collection Goyena Seville, Spain. 


[Ilustrated ] 


IXION 


4 


I 


7 


oR 


1D) 


H 


706—T 


BY 


MATTHIAS GRUNI 


WALD 


Pal 
4 


4 


Third Evening 
/ SCHOOL OF LANCRET | 
Prencu: 18TH - CENTURY 
707—“THE MUSIC LESSON” — at \ * 
a ay iieweee . (Canvas) . 
/ a; g eed Height, 14 inches; width, 13% inches. 


_ A young court beauty is seated, in pink and cream sa 
on a balcony, turning the pages of a music score; be ii 
gallant in pink and blue is tuning a mandolin. On’ tablea 1m d 
présent de Cour.” | es 
From the De Goncourt Collection. 


SSON 


1D) 


L 


07—THE MUSIC 
BY 


7 


Third Evening 


FRANCESCO ZURBARAN — 

i SPANISH : 1598- 1662 

708—PORTRATT. or A PRIEST — SK 

Sar: (On candi 

fey 4 ( es : Height, 19% inches ; width, 13% seco 


Bust length of an ascetic; ‘the head slightly inclined aaa ard 
to right; a clean shaven, vigorous, middle aged 1 man aosck 
dark gray habit. > 
Signed at lower chit F. Zurbaran. ee 


[Ulostrated | is 


re 


TO8—PORTRAIT OF A PRIEST 
BY 
FRANCESCO ZURBARAN 


Third Evening 


FLEMISH SCHOOL 
16TH C CENTURY. 


709—PORTRAIT OF A YOUTH rae Ga 
' (On wooden panel) 


or <; as oe Height, 11% inches; width, 8% inches. 


Bust length, facing front, head slightly turned to left, wearing 

a crimson bandeau round his chestnut hair, an oval pleated linen 
ruff at neck and black quilted jacket. A clear complexioned, _ 
open eyed serious lad. | 7 Boe. a - =m 


[ Tllustrated ] 


v8 


Genreacmuiori igi ema 


; 
i 
: 
6 


OUTH. 


FAY 


709—PORTRAIT O 


Y 
Lius Dr \ 


B 


7OS. 


NE 


Cor 


Third Evening 


710—THE VIRGIN AND CHILD \P. vues 
S/IJ ~— 


ADRIAN ISENBRANDT 
FLEemMIsH: Cirea 1490-1551 


(On wooden arched panel) 
Height, 14 inches; width, 9% inches. 


The beautiful Virgin is seated on a slight eminence in the fore- 
ground under an olive tree. She wears a linen vested blue robe 
and wondrous crimson mantle falling from the shoulders with 
ample folds over her lap and feet. She holds the nude Infant on 
a linen drapery to her open breast. A winding pathway is in the 
middle distance, occupied by personages advancing to two noble 
habitations; beyond is a walled domain and ranges of distant 
blue hills. Warm sunlight suffuses the landscape. 

This painting is of the same admirable technique, elowing qual- 
ity and of exactly the same provenance as a pendant painting 
bought at the same time and place by the present- owner, of 
which herewith is an extract from the sales catalogue, wherein — 
it was illustrated. 

The collection of Mons. M. Marezell de Wavies dé Budapest 
Paris, 1913. 

“Provient du Convent des Carmélites de Salamanque auquel il 
avait été offert en 1630 par Maria Van Mol, d’Anvers, veuve du 
secretaire principal du Statthalber de Flandre, Almancicidor ; 
plus tard Maria Van Mol devint nonne dans le dit convent. Ex- 
posé a Dusseldorf, au Musée de Ja Ville 1912 Catalogue No. 23.” 


From the Convento de Carmelites, Salamanca, Spain. 
[ Illustrated ] 


gi 
calm 


ND CHILD 


710—THE VIRGIN 


Y 


B 
Is 


ANT 


AN ENBRé 


ADRI 


Third Evening 


TII—“ST. VERONICA’S VEIL” 


/ 325 i 


EL GRECO (DOMINICO THEOLOCOPULT)~ 
Cretan Circa: 1545-1614 


(On canvas) , — Be 


Height, 1934 inches; length, 25°34 inches. 


The sublime head of our Saviour wearing dark, long ak oe 
and beard and a crown of cruel thorns, facing front, is presented 
on the creamy white veil of the illustrious Saint; the veil is bor- 
dered with bands of blue and yellow and is suspended by nails — 
against a green-black background. Executed in monochrome dur- 
ing El Greco’s best period. 

Signed at lower right: OAMHNIK OrOPKONXAO YEQOK 


[ Iustrated ] 


( 


‘TINdOOOTOMHY, OOINIINO(,) OODUY) TH 
ye 
MAA S.VOINOUHA STL 


Third Ecce 


ITALIAN SCHOOL 
14rn Century. 


712—“MARRIAGE OF ST. CATHERINE” \) ~ \oes a . 
aes vo (On pointed arched wooden panel) ‘ve “i 
oar ae: _ Height, 49 inches; width, 2714 inches. 


The Holy Virgin seated and wearing a crimson robe and a gold 
embroidered bordered mantle of green, fitting closely over her 

head and falling over her lap to feet, holds the Infant Saviour 

robed in greenish cream on her right knee. St. Catherine, crowned 

and robed in green with a brilliant red mantle from shoulders 

to feet, stands at right proffering her right hand to the Infant 

Saviour, who holds out a ring. At left and right foot are pairs of 
angels of the celestial choir, variously robed and playing differ- 

ent ancient stringed instruments. The Nimbi of all the figures — 
are illuminated with gold. Background of brown, red and gold 

pomegranate patterned drapery. — 


From the collection of the Comte de Chaves, Madrid. 


SENSE 


cessation ns 


+ 


4 


NI 


4 


ERI 


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Aw 


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7 


BY 
Di NUZIo. 


Third Evening 


718—BARASSO G) Lg, ae. 
CATALONIAN: 15TH CENTUR x “¢ fi 3 Pay 
, (Altar frontal within original illuminated carved Gothic ame) i” 

AL aS Height, 29 inches; length, 45 inches. eee 


Left panel discloses in the foreground two monks lowering the “@ , 
body of St. Peter Nolasco to his tomb, beyond is a rocky land- 
scape giving a vista of a Tournament before a Palace, «Right . 
panel depicts the interior of a crypt, with the rail enclosed shrine aaa 
of the worthy Saint at right, the halt, the sick and the maimed 
approach from left to pray for relief. 


SCHOOL OF BOUCHER 
FreNcH: 18TH CENTURY 


714—“CUPIDS AT SPORT” (Two) n tthe 


(Canvas) 
Height, 44 inches; width, 32 inches. 


omy — Grane of three winged cupids variously reclining and half flying ; 
in one, toying with a basket of grapes; in the other playing with 
doves. Painted in blue monochrome. In carved shaped and 
scrolled frames, with leaf and shell pediments; finished in cream 
laequé. | 
Bought from the ancient “Atelier of Roneher 4 


[ Iustrated ] 


eae gs 


+ 


Frencyu 18rH CEentu 


SCHOOL OF BOUCHER 


Ss a i ene 


Third Evening 


SCHOOL OF JAN VAN EYCK 
FLEMISH OF THE 15TH CENTRRY 


“THE ENTOMBMENT” (Attar Fron 


(Illuminated Tempera. On wood 
Height 6 feet 6 inches; length, 1 foot 6 inches. ks 
Os Cane 


— Composed of five panels; in the center our Lord seen a 
length rising from the tomb, St. John holds his right hi 
St. Mary his left. The flanking panels are occupied a 
richly vested figures of St. John and St. Catherine ot a 
at left by the probable donors, the Duke of Burgundy : 
Duchess. The robes of the figures are mostly of crimson enri is) riched 

with illuminated gilding, the background of bluish gray below 
with gilding above. 


ANTIQUARIAN OF PARIS AND NE 


an 


ED PUBLIC 


UNDER THE MANAGEMENT OF 


SOLD AT UNRESTRICT 


TO BE 


MADISON SQUARE SOUTH 


NEW YORK 


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